Two Masters by Dan Armstrong

<< Previous Item Next Item >>

Features

ARTIST NOTES: ‘Two Masters’ portrays a moral and spiritual choice. For the value of ONE SOUL, you are offered a choice: a choice between the dark and the light, the money or your life – your eternal life.

The light side of the painting depicts the path of moral and spiritual integrity, generosity, and the desire only for fair compensation. The dark side depicts simply greed. Greed sacrifices family, friends, community – love – for it’s own ends.

In each of the four corners you are reminded of the value inherent in the choice before you: “1”, that is, your ONE and only SOUL. Each “1” is overlayed with a symbol. On the light side is an alchemical symbol for the ‘spirit’, a cross to represent the enlightened spiritual being who articulated the choice portrayed herein, and in the body of the painting the words he used to deliver that choice. On the opposing side of the painting, is the ubiquitous ‘all seeing eye’, and the symbol for mammon: a blood red infinity draped over an inverted pentacle – a symbol synonymous with evil.

A human soul must be valuable indeed if the forces of both light and darkness have fought for it throughout the ages. May we all choose wisely.

‘Two Masters’ is a textured allegorical/abstract painting using acrylic mediums on a stretched canvas. It is initialled on the front and signed on the back, and is protected by a non-yellowing UV protective clear varnish.

DIMENSIONS (Height - 46.00 cm X Width - 91.00 cm )
MEDIUM ON BASE Acrylic on Stretched Canvas
GENRE Religious
REGISTERED NRN # 000-46008-0153-01
COPYRIGHT © Dan Armstrong
PRIZES AND AWARDS No Awards

 

View At Home

 

Other images
 

Artist: Dan Armstrong



ARTIST BIO

Don't miss out.

EOFYS: Up to 50% off all artwork.

Only until 11:59pm June 30, 2024

After pursuing carpentry as a school leaver, restless feet have led me to every continent except Antarctica, and have walked the Inca Trail to Machu Picchu, inside the Great Pyramid in Egypt, and atop Uluru. A subsequent career in mining led me to WA and the NT before I returned to Victoria as a new father, where I ended up also caring for my mother after an assault left her with a severe brain injury. As carer, I was able to complete a Degree in Psychology from Deakin University aged 37, before my mother eventually succumbed during my Honours year. Collectively, these life experiences gave birth to an intense spiritual journey and quest for meaning and purpose. With a new love, my wife Angie, we escaped to rural Victoria in 2017 and transformed our modest property into both a sanctuary for our souls, and a safe space for our creative freedoms to flourish. We live here with our respective studios, craftsman's workshop, veggie garden, rescue cats, and my son. With Angie’s nurturing and guidance, it is here that I found art.

The Journey so far:

I am an artist, author, craftsman, and sculptor, but my artistic journey began where I was most familiar: working with timber (I’m sorry, I just can’t say wood – wood is the stuff you put in a fire!) After building studios, a workshop, and a garden, I began creating and have sold from our Etsy store 300+ timber crafts to every state and territory in Australia, and also to Europe and North America. While my hands were busy, an inner voice began demanding expression and I moved to writing. At present I have nearly a dozen works in various stages, including a completed, but as yet unpublished, 130,000 word novel. Still, there were things that I couldn’t appropriately express, even in writing, which is when I began creating timber sculpture and then, finally, paintings on canvas. 

To wit, I am an abstract artist, and my purpose in creating an artwork is to convey a deeper emotion, philosophy, spirituality, or poignant message. At times I have used structure and rigidity in an attempt to break down the very structure, rigidity, and convention that I perceive as serving to strangle creativity and expression. However, I will also employ expressive abstracts full of texture to convey other emotions and occasionally an abstracted or impressionist landscape for the purpose of allegory.